| It was
Cheng-Dau Lee, Nobel laureate in physics, who
expressed the following idea about the close
interaction between art and science. He said:
"Both science and art are the presentation
of the creature of the human being. They are not
separated from each other. There is even a
similarity between them as they help us observe
nature. With the help of science we can find out
routines of nature. On the other hand, by means
of art we can describe the emotions of
nature." In the Art & Science page to
be presented in each issue of our Journal, the
above interaction will be demonstrated in the
following way: art will be used as a means to
illustrate science, and science will be shown as
instrumental in creating art. In this way, visual
form will be given to scientific ideas, or as I
define it, we will "demonstrate science
through the 'eye' of art." Today, an age
dominated by specialization, the Internet and
computers, art and science have largely become
disconnected as if one was dealing with different
worlds. The present activity, hopefully, will
reunite the two entities.
The present Art
& Science page demonstrates how art can be
instrumental in demonstrating one of the most
important laws of natureNewton's 2nd
Law of Motion. What is a law? A law is something
already existing which merely lies hidden until
the discoverer discloses it. This explains why
God gave the world the Ten Commandments 2448
years after Creation, but waited 5403 years until
Newton was born to discover His physical laws.
Sir Isaac
Newton, 1643-1727, born in UK, was a
mathematician and physicist, one of the foremost
scientific intellects of all time. He was a
premature infant not expected to live who showed
no particular promise in his early years. He had
a very unhappy childhood, which explains why he
showed signs all through his life of a
persecution mania. Surprisingly, Newton was
highly productive only for eighteen years,
1669-1687, when a breakdown at an age of 51 ended
his scientific work. He then became a highly paid
government official in London with little further
interest in mathematical research. Newton never
married, but was at his happiest in the role of
patron to younger scientists while from 1703 he
served as a tyrannical president of the Royal
Society. He was knighted in 1705.
Newton's
contributions to science included the modern laws
of optics, the development of calculus, the
Newtonian telescope, and his law of cooling.
However, the most important discoveries were his
three laws of motion and the universal law of
gravitation which sufficed to regulate the
cosmos, but only, as Newton believed, with the
help of God. Legend has it that seeing an apple
dropping from a tree gave Newton the idea that
the same force that keeps us bound to the Earth
also controls the motion of planets and stars.
Newton's theories for determining the motion of
bodies travelling at ordinary speeds
created among scientists a peaceful and
optimistic climate for about 250 years. However,
when Einstein in 1905 proposed the theory of
relativitywhere mass, length and time were
no longer unchangeable magnitudes but dependent
on their speedas an alternative to Newton's
theory, the world was shocked!
Looking at
Newton's equations F = ma and F
= m1m2/r2 reveals how aesthetic
they are. And indeed, many scientists
expressed their thoughts about aesthetics
in science (Rieser, 1972). Einstein said that
"[b]eauty is the first test and threre is no
place in the world for ugly mathematics"
while according to Dirac "[b]eauty in
equations is more important than their agreement
with experiments."
We focus now our
attention on Newton's 2nd Law. The law
is illustrated on the back cover of the Journal
as a body attracted solely by gravitational
force, namely, F = mg. However, a
deeper analysis of each of the three pictures
comprising the law is also very interesting, as
follows.
Force (F),
a push or pull exerted on an object, is
demonstrated by Sisyphus pushing a heavy boulder.
"Sisyphus" was painted by Franz von
Stuck (1863-1928), who was born in Lower Bavaria
and talented with a sensuous power to communicate
through colours and forms and whose work was
sometimes decorative and sometimes sculptural.
The mythological figure of Sisyphus is one of the
most well-known penitents of the underworld. The
god's punishment for his hubris is to push a
heavy boulder up a mountain, down which it always
rolls back after reaching the summit. Observing
Sisyphus trying to push the boulder gives the
beholder a strong impression that the boulder is
hardly moving. In other words, the acceleration a
= F/m approaches zero, since
according to the visual demonstration, F
> 0 and m >> 0.
Mass (m),
a measure of how much material is in an object,
is demonstrated by Rafi Carasso in his astounding
sculpture "Lady with Basket." Carasso
is a doctor of medicine, a practicing
psychologist and sculptor born in Israel in 1945.
Although the upper part of the woman looks
normal, it is her lower part which gives the
observer a strong sensation of a high mass. The
standing lady also demonstrates Newton's 3rd
law, where the force exerted by the lady on the
floor is balanced by an identical force exerted
on the sole of her foot by the floor.
And finally, the
gravity acceleration (g) is
beautifully demonstrated by Fernando Botero in
his painting "Woman Falling from a
Balcony." Botero, a painter and sculptor,
was born in 1932 in Medellin, Columbia. Botero,
one of today's preeminent artists, is marked by
unique qualities and a distinct figurative style
which includes a wide repertoire of themes such
as self-portraits, nudes, lovers, bullfights,
nuns, prostitutes and saints. Influenced by the
monumental quality of the figures of Giotto,
Ingres and Rivera, Botero strives to create
sensuality through form. A closer examination of
his picture brings us to the conclusion that it
represents Newton's 2nd law for free
fall under the force of gravity, i.e., a =
g.
We return to the
question posed in the title, would Newton
recognize his 2nd Law by applying
"science through the 'eye' of art"? The
answer is probably yes, bearing in mind his
fascinating taste for aesthetics, an important
cornerstone of art, which is manifested in his
beautiful equations, in addition to his genius
brain.
Thanks for
reproduction permission are due to Benedikt
Taschen Verlag Publication for
"Sisyphus," to the Marlborough Gallery,
New York for "Woman Falling from a
Balcony," and to Professor Carasso for
"Lady with Basket."
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